So if you’ve ever doubted whether screen writers are worth the dough, or whether you could really just throw a bunch of monkeys on typewriters in a room and get a movie script, look no further than Quantum of Solace. Famous for having a half-baked script thanks to the 2007-2008 writers strike, this movie often ends up in many people’s worst Bond movies list. Look, this isn’t anywhere close to the top 10 Bond films, but I certainly wouldn’t place it at the bottom either. That said, let’s make sure the screen writers don’t have to go on strike again, because a “meh” Bond film is always a sad waste of 100 minutes.
Plot in twenty words or less: The head of a criminal organization dedicated to overthrowing governments in developing countries is also behind a water privatization scheme
How it’s aged: The first post-credits scene in which the guy was about to be interrogated felt very much like some scenes from several post 9/11 movies or documentaries. Also thought it interesting that there were shots of the crowd minutes after Bond and the guy he was pursuing ran through because you rarely see the after-effects of Bond chase scenes collateral damage.
Something that was just weird and/or WTF y’all: How did Bond get his tux? It seems like he lifted it from an opera performer’s locker, but did he actually have a tux as his costume? Didn’t look like it from the scenes we caught of Tosca
Obligatory feminist commentary: I really appreciated the tender scene of Bond holding Matthis while he was dying, and it struck me that we see this again in Skyfall. Even though Craig is often credited with having an anti-hero swagger, I think he has an inner interior life we only really begin to appreciate in Skyfall. Building on the themes of M as a (reluctant) family figure… When Camille asks whether Greene tried to kill his mother, Bond replies “She’d like to think so” obviously referring to M.
I was trying to remember — I’m not sure if we’ve had any women acting out revenge narratives until now? On final reflection, this was the least amount of sexy times I’ve ever seen in a Bond movie — just some implied romps with Strawberry Fields and a chaste kiss with Camille at the end. Was he still nursing his sadness for Vesper or was it just because this script was a first draft (at best!)…?
Completely hypothetical cultural reference points: M’s debriefer is the Prime Minister from the first episode of Black Mirror. Also, did anyone else think the toppling of caskets off the top of the truck in Port Au Prince was an homage to the New Orleans funeral scene in Live and Let Die…? Obviously Strawberry Fields drowning in oil is the biggest self-referential scene of all time, back to Goldfinger.
Isn’t there another Bond movie where a bunch of people leave in the middle of some big public event? Or maybe some dystopian movie that came out in the last few years? Perhaps I’m having deja vu. I trawled the TV Tropes website in hopes of finding an answer, but came up short. If anyone can solve this riddle for me, I’d be grateful.
Superficial Thing that did not Amuse Me: How the hell do they free fall through the air out of an airplane and Camille’s high heels are still on?
Superficial Thing that highly Amused Me: Love that M called the Americans’ bluff right away when they said Dominic Greene was not a person of interest — and in the next scene we see the American section chief meeting with him while Felix looks on. No matter how much sheen the American Empire loses, the Brits will never let us forget our inferiority when it comes to Bond movies.
Interesting and possibly dubious thing I learned from Wikipedia: Amy Winehouse recorded a demo track for the movie
Martini rating: Three martinis (under this guiding philosophy)
Administrative information concerning this viewing:
Drinks consumed: Sam Adams Old Fezziwig ale
Food eaten: Leftover soup
Viewed on: January 4, 2015
Viewing Partner: The Fiance and the cat
Poor Quantum of Solace. It has so much potential. But I do love it that the female lead is so different than the typical Bond girl. I definitely think its because of Vesper, and for him to have an ally of sorts instead of a pawn/sex toy/etc. is a good move-helps us believe Bond’s grief and that inner emotion you mention.
I was kinda generally OK with the movie until the exploding hotel bit. Why would anyone build exploding hotels?
“I was trying to remember — I’m not sure if we’ve had any women acting out revenge narratives until now?”
Yes. Melina Havelock in FOR YOUR EYES ONLY.
I also can’t remember another movie – Bond movie or otherwise – where people leave during a big public event. I’m sure that there are ones, but I can’t think of any, offhand.